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Through a shared focus on personhood and memory, Andrae Green and Cyle Warner trace how Caribbean subjects resist the structures meant to contain, reduce, and erase them. Green’s deliberately blurred and doubled figures refuse fixity, dismantling representational architectures, while Warner’s breeze-block forms build new narrative ones that address spatial and archival absence. Where Green unsettles, Warner constructs. Together, they rework the terms through which Caribbean subjectivity is seen.

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